Alex May (b. 1972) is a British contemporary artist questioning how our individual and collective experiences of time, and formation of memories and cultural record, are mediated, expanded, and directed by contemporary technologies. His work forges creative links between art, science, and technology through a wide range of digital new media, including virtual and augmented reality, photogrammetry, algorithmic photography, interactive robotic artworks, video projection mapping, generative works, performance, and video and sound art.
His international exhibition profile includes Ars Electronica, LABoral (Spain), IMPAKT (Netherlands), FACT (Liverpool), Furtherfield (London), WRO Media Art Bienalle (Poland), HeK (Basel), The Francis Crick Institute, Bletchley Park, Eden Project, Science Gallery in Dublin (Ireland) and Bengaluru (India), ZHI Art Museum (China), and the Beall Center for Art + Technology, University of California, Irvine.
He gives talks about many aspects of digital art, art/science collaboration, digital preservation, and public engagement with social robotics through art (UCLA, USC, School of Visual Arts (SVA) New York, University of Boulder, SUNY, TEDx Bucharest, Chelsea College of Art (in conversation with curator Robert Storr), Waag Society in Amsterdam) and runs workshops for artists using his own software (UCLA, for Fluxmedia at Concordia University in Montreal, International Symposium on Electronic Art (ISEA) in Istanbul), and gave the 2012 Christmas lecture for the Computer Arts Society.
Alex is a Visiting Research Fellow: Artist in Residence with the computer science department of University of Hertfordshire since 2011, and a Digital Media Arts MA sessional lecturer at the University of Brighton since 2012, and the University of Hertfordshire since 2019.
He is the Head of Projective Geometry at The Institute of Unnecessary Research.
A Kolkata, 2021, 6’36”